In the production of our music video, we opted to utilize previous conventions of music videos which have already proven to be successful (based on Channel 4's 100 Greatest Music Videos). We also attempt to sometimes challenge established conventions to bring attention to the video, so it is not quickly skimmed over as being "just another band".
In terms of camera shots, the earlier drafts of our videos contained mainly mid shots and a few close ups. The use of mid shot in music videos is good in that it enables the audience to see the facial expressions (and thus emotions) at a reasonable enough degree, whilst also capturing important body language. Some dancing may also be captured with a mid shot. However it was evident that we did this too much; long shots could enable us to communicate ideas using mediums such as mis en scene (in terms of background).
Too many medium shots video
We improved on this via getting more shots, particularly longer ones. An attempt was also made during editing to incorporate more close ups, to capture the emotions and lyrics. Virtually all songs have the artist expressing (through both facial expressions and body language) the emotion of the song, and we wanted to capture this, too. See below:
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| Majority of this video contains the artist lip syncing at the camera. Towards the end, genuine tears are shed. The genuine emotion showed has made this a famous video known by many. |
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| Note the artists' smiling expression. Whilst not on the same emotional level as O' Conor (right), it still demonstrates the usex of close up as a means of mirroring the song's emotion. |
Lighting was another thing we took into account. Since our song was very upbeat, we had to find places with sufficient lighting that would reflect the upbeat nature of the song, to compound with the song's own atmosphere and thus enhance the experience of whoever was watching the music video.
We also stuck to the conventional manner of using straight cuts. We felt that using fades or dissolves would feel too slow, considering the upbeat nature of the music video. We do use a fade at the end, but only because we wanted to the picture to mirror the artists' voice - it was the last thing you could hear as all the other instruments faded out.
We also used a variety of outfits to keep the audience entertained and not make it look like an amateur attempt at a music video. In particular, we used suits as most artists are known to be dress-y in their attire for music videos. For example:

Wearing such outfits has connotations of power and authority associated with it, which is the kind of artist(s) audiences will want to follow.
In terms of props, we utilized instruments. This is again another convention of popular music videos, which usually contain the band behind some sort of plain background, such as in this video:

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| Again note that the background is relatively plain; focus is on the artists and instruments |
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| (Above) Not your usual protagonist |
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| (Above) Again, not your usual protagonist. Note that despite this technique of narrating having been used before, it is still not common enough to be classified as a "typical" convention. |
The stop motion type animation also gives a bright atmosphere to the video, which compliments the song which is also upbeat, itself. Note that connotations of animated characters tend to be children's shows, and generally upbeat things. In this way the stop motion helps the audience feel the emotion of the song better.
Magazine advert
The purpose of the magazine advert is to draw attention to the band and it's product. It can do this by standing out through methods such as relating with the target audience, or making the target audience feel certain emotions which make the advert memorable.
The conventions our magazine advert uses:
We stayed within the usual conventions of magazine adverts - as these established conventions have demonstrated themselves to be successful.
Digipak
The digipak design should be eye catching; it needs to be able to attract a wide variety of audiences, in order to spread the word of the artist.
At the same time it needs to conform with the design of the other products to create a sort of 'brand recognition'.
Here are the conventions that our digipak has used:
Note that we break a convention of digipaks by providing a small "Thank you" note in the inside of the digipak.
By doing this we hope to reassure the customer of their purchase by making them feel appreciated.












